zunshynn Posted July 6, 2005 Posted July 6, 2005 I know someone who has been telling people to boycott the Passion by Mel Gibson, because it is based on the Catholic Stations of the Cross, which are not all in the Gospels. I understand that the stations are based on the visions of Blessed Anne Katherine Emmerick... but how can I explain why the Church considers these things important when they are not contained in the Gospels? Thanks! Jen
cappie Posted July 15, 2005 Posted July 15, 2005 The Stations of the Cross is a popular devotion used by individuals or groups who wish through prayer and reflection to follow Jesus Christ on his way to Calvary. Many Christians practice the devotion, but the Stations holds a special significance among Roman Catholics. It is one of the most important devotions honoring the passion of Jesus. What matters most in the Stations of the Cross is to follow Jesus Christ in his passion and to see ourselves mirrored in him. To face life's dark side in ourselves and in our world, we need images of hope, and Jesus offers images of hope in his passion. By accompanying him on the Way of the Cross, we gain his courageous patience and learn to trust in God who delivers us from evil. The devotion originated in the late 4th century when pilgrims flocked to the Holy Land from all parts of the world to visit the land of Jesus. Heading the list of places they visited was the Church of the Holy Sepulcher, which had been built by the Emperor Constantine in 335 AD atop Calvary and the tomb of Jesus. Processions of pilgrims to this church were common. Egeria, a woman from Gaul who traveled to the Holy Land in the 4th century, recalls in her diary how she joined Christians from all parts of the Roman world walking westward on Holy Thursday from the garden of Gethsemane to the church of the Holy Sepulcher, where they celebrated Jesus' death and resurrection Over the years, the route of pilgrim processions -- beginning at the ruins of the Fortress Antonia and ending at the church of the Holy Sepulcher -- was accepted as the way that Jesus went to his death. It was known as the "Via Dolorosa," the "Sorrowful Way;" Today, it winds through the crowded areas of Jerusalem's Old City, and pilgrims still travel it in prayer. Stations" developed on this venerable route as early pilgrims honored places where specific incidents took place as Jesus went Calvary. However, the search for them was complicated because the Jerusalem of Jesus' day had been almost completely destroyed by Roman armies in 70 AD. In many cases, therefore, pilgrims could only guess where some incidents described in the gospel took place. Jesus Meets His Mother, Jesus' Three Falls, the Story of Veronica The gospel accounts of Jesus' passion --above all, St. Luke's account-- provide the background for most of the 14 traditional Stations of the Cross. Scenes of Jesus before Pilate, Jesus carrying his cross, Simon of Cyrene taking up the cross, the women lamenting as he passed, Jesus nailed to the Cross, and his death, deposition and burial are mentioned in them. But what about incidents not mentioned in the gospels? Such as his meeting with Mary, his mother; Veronica wiping his face with a cloth; his three falls? Where did these scenes come from? Most likely they came from early pilgrims to Jerusalem. According to the gospel of John, Mary stood by his Cross (John 19,25-27). Would she not be part of the crowd accompanying him to Calvary, and would they not have met on the way? Pilgrims who walked along the Via Dolorosa surely believed they did. (right: Jesus Falls) Jesus must have been extremely weak during his passion. Why else was Simon of Cyrene pressed into service to carry his cross? Was his scourging by Pilate's soldiers exceptionally severe? Pilgrims on the Via Dolorosa surely concluded that Jesus fell from weakness more than once. As they themselves walked the rough, winding Jerusalem street, they came to believe that he fell many times. The Story of Veronica The story of Veronica is not told in the gospels, but in early apocryphal writings. An early 2nd century version of The Acts of Pilate reports that a woman named Veronica (Bernice, in the Greek version) was the same woman Jesus cured of a blood disorder (Matthew 9,20-22), and that she came to his trial before Pilate to claim his innocence. Later versions of the story from the 4th or 5th century say that Veronica possessed a cloth imprinted with the face of Jesus. Western pilgrims returning to Europe passed her story on. As the Stations of the Cross developed in late medieval times, Veronica was remembered at the 6th Station: she wipes the face of Jesus on his way to Calvary and he leaves an image of his face on her veil. A healing relic, impressed with the image of Jesus' face, which came to be known as "Veronica's Veil," was honored in St. Peter's Church in Rome as early as the 8th century. Veronica and the Other Women Who Ministered to Jesus Women play an important role in the Stations of the Cross. In fact, the gospels portray them favorably throughout the passion story. Two passion accounts begin with the story of an unknown woman who anoints Jesus' head with precious ointment in the house of Simon the leper, at the same time that Judas and the leaders of the people plot his death (Matthew 26, 6-13; Mark 14, 3-9). On his way to Calvary, "A great number of people followed him and among them were women who were beating their breasts and wailing over him" (Luke23, 27). On Calvary itself, "Many women were also there, looking on from a distance" (Matthew 27, 55). Women attended his burial: they "followed and saw the tomb and how his body was laid. Then they returned, and prepared spices and ointments" (Luke 23, 55-56). On Easter morning, they came to finish anointing his body, but found an empty tomb (Matthew 28, 1-10; John 20, 1-10). Women customarily comforted the dying and buried the dead in Jesus' time and the gospel accounts of the passion recognize them fulfilling these roles. Indeed, Veronica admirably fulfills the gospel portrait-- a woman who reaches out to someone who is suffering and finds God's face behind the disguise.
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